I'd Know You Anywhere (Lippman)
Summary | Author | Book Reviews | Discussion Questions
I'd Know You Anywhere
Laura Lippman, 2010
HarperCollins
400 pp.
ISBN-13: 9780062070753
In Brief
There was your photo, in a magazine. Of course, you are older now. Still, I'd know you anywhere.
Suburban wife and mother Eliza Benedict's peaceful world falls off its axis when a letter arrives from Walter Bowman. In the summer of 1985, when Eliza was fifteen, she was kidnapped by this man and held hostage for almost six weeks. Now he's on death row in Virginia for the rape and murder of his final victim, and Eliza wants nothing to do with him. Walter, however, is unpredictable when ignored—as Eliza knows only too well—and to shelter her children from the nightmare of her past, she'll see him one last time.
But Walter is after something more than forgiveness: He wants Eliza to save his life . . . and he wants her to remember the truth about that long-ago summer and release the terrible secret she's keeping buried inside. (From the publisher.)
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About the Author
• Birth—January 31, 1959
• Where—Atlanta, Georgia, USA
• Education—B.S., Northwestern University
• Awards—(see below)
• Currently—lives in Baltimore, Maryland
Lippman was born in Atlanta, Georgia, and raised in Baltimore, Maryland. She is the daughter of Theo Lippman Jr., a well known and respected writer at the Baltimore Sun, and Madeline Lippman, a retired school librarian for the Baltimore City Public School System. She attended high school in Columbia, Maryland, where she was the captain of the Wilde Lake High School It's Academic team.
Lippman is a former reporter for the (now defunct) San Antonio Light and the Baltimore Sun. She is best known for writing a series of novels set in Baltimore and featuring Tess Monaghan, a reporter (like Lippman herself) turned private investigator.
Lippman's works have won the Agatha, Anthony, Edgar, Nero, Gumshoe and Shamus awards. Her 2007 release, What the Dead Know, was the first of her books to make the New York Times bestseller list, and was shortlisted for the Crime Writer's Association Dagger Award. In addition to the Tess Monaghan novels, Lippman wrote 2003's Every Secret Thing, which has been optioned for the movies by Academy Award–winning actor Frances McDormand.
Lippman lives in the South Baltimore neighborhood of Federal Hill and frequently writes in the neighborhood coffee shop Spoons. In addition to writing, she teaches at Goucher College in Towson, Maryland, just outside of Baltimore. In January, 2007, she taught at the 3rd Annual Writers in Paradise at Eckerd College.
Lippman is married to David Simon, another former Baltimore Sun reporter, and creator and an executive producer of the HBO series The Wire. The character Bunk is shown to be reading one of her books in episode eight of the first season of The Wire. She appeared in a scene of the first episode of the last season of The Wire as a reporter working in the Baltimore Sun newsroom.
Awards
2015 Anthony Award-Best Novel (After I'm Gone)
2008 Anthony Award-Best Novel (What the Dead Know)
2008 Anthony Award-Best Short Story ("Hardly Knew Her")
2008 Barry Award-Best Novel (What the Dead Know)
2008 Macavity Award-Best Mystery (What the Dead Know)
2007 Anthony Award-Best Novel (No Good Deeds)
2007 Quill Award-Mystery (What the Dead Know)
2006 Gumshow Award-Best Novel (To the Power of the Three)
2004 Barry Award-Best Novel (Every Secret Thing)
2001 Nero Award (Sugar House)
2000 Anthony Award-Best Paperback Original (In Big Trouble)
2000 Shamus Award-Best Paperback Original (In Big Trouble)
1999 Anthony Award-Best Paperback Original (Butchers Hill)
1998 Agatha Award-Best Novel (Butchers Hill)
1998 Edgar Award-Best Paperback Original (Charm City)
1998 Shamus Award-Best Paperback Original (Charm City)
(Author bio adapted from Wikipedia.)
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Critics Say . . .
I've read hundreds of thrillers in the past 10 years, and some have been excellent, but only a handful—thanks to their insights, their characterizations and the quality of their writing—could equal the best of today's literary fiction. Those few certainly include What the Dead Know and I'd Know You Anywhere. In both cases, Lippman began with a real crime and then used the magic of her imagination to produce novels that are not only hypnotic reading but serious meditations on the sorrows and dangers of this world. Some people would segregate Lippman as a crime or thriller writer. That's a shame. She's one of the best novelists around, period.
Patrick Anderson - Washington Post
I’d Know You Anywhere continues Laura Lippman’s extraordinary run of stand-alone novels (alternating with her lighter books about private eye Tess Monaghan). From its unsettling opening to its breathtaking conclusion, “Anywhere” exemplifies Lippman’s strengths: compassion, intense prose and deep empathy for the snares of ambiguous emotions.
Seattle Times
Laura Lippman is one of those uncommonly talented authors whose work continues to get better in every book she writes. I’d Know You Anywhere is a riveting psychological suspense novel.
Toronto Globe and Mail
I’d Know You Anywhere is a crime story, but it’s not a whodunit. Rather, it’s an exquisitely sensitive story about the psychological impact of crime on its victims. It’s a story about shame, about anger, about survivor’s guilt.
Fort Worth Star Telegram
This is a story that grips you not with suspense but with its acute psychological autopsy of a survivor. Lippman’s knack for elucidating the horrors humans can inflict on one another through violence and manipulation—while telling a compelling story—is disarming and fascinating.
USA Today
Near the start of this outstanding novel of psychological suspense from Edgar-winner Lippman (Life Sentences), Eliza Benedict, a 38-year-old married mother of two living in suburban Maryland, receives a letter from Walter Bowman, the man who kidnapped her the summer she was 15 and is now on death row. The narrative shifts between the present and that long ago summer, when Eliza involuntarily became a part of Walter's endless road trip, including the fateful night when he picked up another teenage girl, Holly Tackett. Soon after Walter killed Holly, Eliza was rescued and taken home. Eliza must now balance a need for closure with a desire to protect herself emotionally. Walter wants something specific from her, but she has no idea what, and she's not sure that she wants to know. All the relationships, from the sometimes contentious one between Eliza and her sister, Vonnie, to the significantly stranger one between Walter and Barbara LaFortuny, an advocate for prisoners, provide depth and breadth to this absorbing story.
Publishers Weekly
Eliza Benedict believed she'd put her adolescence behind her, especially the time she'd spent as a captive of Walter Bowman, until he contacts her from death row. Struggling in her relationship with her own teenage daughter and wrestling with memories of Holly Tackett, the girl who didn't get away from Walter, Eliza finds herself repeatedly coming back to the events of the last night of Holly's life. While she may no longer be his captive, Eliza is clearly anything but free. The mystery in Lippman's latest stand-alone, while still a strong element, takes a backseat to Eliza's story, set against the impending execution of Walter. The fast-paced narrative, with dynamic supporting characters and subplots that feel underused, races to a satisfying if somewhat abrupt conclusion. Verdict: Echoing Lippman's previous stand-alones, What the Dead Know and Life Sentences, this is a solid choice for mystery fans who enjoy a broader view of crime and its aftermath. —Amy Brozio-Andrews, Albany P.L., NY
Library Journal
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Book Club Discussion Questions
1. Describe Eliza as an adult and as a teenager. How has she changed? What of her personality is the same? How did the trauma of her kidnapping impact her relationship with her parents, her sister, her husband, her children?
2. What did Eliza have in common with Walter's other victims? How was she different? Why didn't Walter kill her too?
3. When she visits the parents of Walter's last victim, Eliza cant help but think of their daughter and her role—or lack of it—in her death. "She hadn't killed Holly, but she hadn't saved her, either. Was that the same thing? She had resolved to live. Was her decision to live the same as willing Holly to die? She had chosen to live, which she believed meant doing whatever Walter said. Holly was the one who had fought and run." Discuss the questions Eliza raises about her own culpability. Does Eliza share any blame for Holly's death?
4. How would you characterize the relationship between Walter and the teenage Elizabeth? What about his relationship with the adult Eliza?
5. How did knowing Walter as intimately as she did save Eliza's life? Which person knew the other better? Did she owe Walter his life—or anything at all—since ultimately, he spared hers? Did he know her as well as he thought? Was he surprised by the outcome when she finally visited? Were you?
6. What does Walter want from Eliza? Why does she agree to see him? What does she want from him?
7. Walter mused about the trial that convicted him. "Shouldn't his victims have the final say? But there was Elizabeth. He hadn't been lying when he said he felt the greatest guilt toward her. What he did to her—that was a betrayal. The others, he didn't know them, they weren't real to him. But Elizabeth had been his co-pilot, his running buddy. His Charley to his Steinbeck." Why did Walter feel guilty about Elizabeth? How did he betray her?
8. Eliza had felt protected by the invisibility with which she cloaked herself, taking her husband's name, moving abroad for several years. Can we ever truly hide from those who want to find us? What is the emotional cost if we try? What was the cost for Eliza?
9. Eliza wished her son could stay young and innocent for years. "But she knew there was no spell, no magic, that could keep a child a child, or shield a child from the world at large. In fact, that was where the trouble almost always began, with a parent trying to out-think fate. Stay on the path. Don't touch the spindle. Don't speak to strangers. Don't pick the rose." Why does Eliza think this way? What does she mean by "that was where the trouble almost always began"? Do you agree with her assessment? Are we overprotective of our children? How can we gird them for the perils the world offers?
10. When she was asked if Walter deserved to die, Eliza responds, "It doesn't matter what I think. He was sentenced for the murder of Holly Tackett, and her parents made it clear that they approved of the death penalty. I wasn't consulted." Do you think Walter deserved to die? Why is it so difficult for Eliza to offer her opinion? Do you think she feels guilty for surviving?
11. Eliza's sister Vonnie accuses her of "existing.... You let life happen to you. You live the most reactive life of anyone I know. If there's one thing I would have learned from your experience, I think it would be to never let anyone else take control of my life." Is Vonnie correct in her assessment? Has Eliza learned this lesson?
(Questions issued by publisher.)
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