Confession (Grisham)

The Confession
John Grisham, 2010
Knopf Doubleday
418 pp.
ISBN-13: 9780739377895

Summary 
An innocent man is about to be executed. Only a guilty man can save him.

For every innocent man sent to prison, there is a guilty one left on the outside. He doesn’t understand how the police and prosecutors got the wrong man, and he certainly doesn’t care. He just can’t believe his good luck. Time passes and he realizes that the mistake will not be corrected: the authorities believe in their case and are determined to get a conviction. He may even watch the trial of the person wrongly accused of his crime. He is relieved when the verdict is guilty. He laughs when the police and prosecutors congratulate themselves. He is content to allow an innocent person to go to prison, to serve hard time, even to be executed.

Travis Boyette is such a man. In 1998, in the small East Texas city of Sloan, he abducted, raped, and strangled a popular high school cheerleader. He buried her body so that it would never be found, then watched in amazement as police and prosecutors arrested and convicted Donte Drumm, a local football star, and marched him off to death row.

Now nine years have passed. Travis has just been paroled in Kansas for a different crime; Donte is four days away from his execution. Travis suffers from an inoperable brain tumor. For the first time in his miserable life, he decides to do what’s right and confess.

But how can a guilty man convince lawyers, judges, and politicians that they’re about to execute an innocent man? (From the publisher.)

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Author Bio 
• Birth—February 8, 1955
• Where—Jonesboro, Arkansas, USA
• Education—B.S., Mississippi State; J.D., University of
  Mississippi
• Currently—lives in Oxford, Mississippi and Albermarle,
  Virginia

Since first publishing A Time to Kill in 1988, Grisham has written one novel a year (his other books are The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, The Testament, The Brethren, A Painted House, Skipping Christmas, The Summons, The King of Torts, Bleachers, The Last Juror, and The Broker) and all of them have become international bestsellers. The Innocent Man (October 2006) marks his first foray into non-fiction.

Grisham lives with his wife Renee and their two children Ty and Shea. The family splits their time between their Victorian home on a farm in Mississippi and a plantation near Charlottesville, VA.

More
As a young boy in Arkansas, John Grisham dreamed of being a baseball player. Fortunately for his millions of fans, that career didn't pan out. His family moved to Mississippi in 1967, where Grisham eventually received a law degree from Ole Miss and established a practice in Southaven for criminal and civil law. In 1983, Grisham was elected to the Mississippi House of Representatives, where he served until 1990.

While working as an attorney, Grisham witnessed emotional testimony from the case of a young girl's rape. Naturally inquisitive, Grisham's mind started to wander: what if the terrible crime yielded an equally terrible revenge? These questions of right and wrong were the subject of his first novel, A Time to Kill (1988), written in the stolen moments before and between court appearances. The book wasn't widely distributed, but his next title would be the one to bring him to the national spotlight. The day after he finished A Time to Kill, Grisham began work on The Firm (1991), the story of a whiz kid attorney who joins a crooked law firm. The book was an instant hit, spent 47 weeks on the New York Times bestseller list, and was made into a movie starring Tom Cruise.

With the success of The Firm, Grisham resigned from the Mississippi House of Representatives to focus exclusively on his writing. What followed was a string of bestselling legal thrillers that demonstrated the author's uncanny ability to capture the unique drama of the courtroom. Several of his novels were turned into blockbuster movies.

In 1996, Grisham returned to his law practice for one last case, honoring a promise he had made before his retirement. He represented the family of a railroad worker who was killed on the job, the case went to trial, and Grisham won the largest verdict of his career when the family was awarded more than $650,000.

Although he is best known for his legal thrillers, Grisham has ventured outside the genre with several well-received novels (A Painted House, Bleachers, et al) and an earnest and compelling nonfiction account of small-town justice gone terribly wrong (The Innocent Man). The popularity of these stand-alones proves that Grisham is no mere one-trick pony but a gifted writer with real "legs."

Extras
From a 2004 Barnes & Noble interview:

• A prolific writer, it takes Grisham an average of six months to complete a novel.

• Grisham has the right to approve or reject whoever is cast in movies based on his books. He has even written two screenplays himself: Mickey and The Gingerbread Man.

• Baseball is one of Grisham's great loves. He serves as the local Little League commissioner and has six baseball diamonds on his property, where he hosts games.

• His favorite writers

I love to read people like John Steinbeck and William Styron, and people like that; some Hemingway, some Faulkner. I'll read a great novel, and I'll say, 'I'll never be that good!' I have to recognize—putting a plot together—and being able to hook the reader fairly early on in an engaging story, and make the pages turn.

• Why he loves to write:

I think it's just this fascination I have with escapism—with being able to just chuck it all, and walk away.

• On one of the secrets to his inspiration:

A hyperactive imagination, which I guess I was born with.

• On the characters of his prior books:

I forget about these people so fast. I get embarrassed all the time because I'll be at a bookstore signing books, and somebody will ask me a question about The Partner, or The Brethren or something I wrote five or six years ago, and I can't answer the question because I don't remember what happened. I really tend to forget about them real fast because I'm always thinking about the next book or the next two books or the next movie.

• On "the good life" as a writer:

Hey, I'm the luckiest guy in the world—I really feel that way! I get to work about six months out of the year writing a novel, the other six months, I watch baseball games, raise my kids, stay on the farm with my wife and the horses, and live a very easy life—I'm very spoiled.

(Bio and interview from Barnes & Noble.)

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Book Reviews 
[T]he kind of grab-a-reader-by-the-shoulders suspense story that demands to be inhaled as quickly as possible. But it's also a superb work of social criticism in the literary troublemaker tradition of Upton Sinclair's The Jungle.... For more than a decade, in his novels...and on editorial pages, Grisham has ruminated over the efficacy and morality of the death penalty. The Confession bangs the gavel and issues a clear verdict. As an advocacy thriller, it will rile some readers, shake up conventional pieties and, no doubt, change some minds. Whatever your politics, don't read this book if you just want to kick back in your recliner and relax.
Maureen Corrigan - Washiangton Post

Grisham's recent slump continues with another subpar effort whose plot and characters, none of whom are painted in shades of gray, aren't able to support an earnest protest against the death penalty. In 2007, almost on the eve of the execution of Donte Drumm, an African-American college football star, for the 1998 murder of a white cheerleader whose body was never found, Travis Boyette, a creepy multiple sex offender, confesses that he's guilty of the crime to Kansas minister Keith Schroeder. With Drumm's legal options dwindling fast and with the threat of civil unrest in his Texas hometown if the execution proceeds, Schroeder battles to convince Boyette to go public with the truth—and to persuade the condemned man's attorney that Boyette's story needs to be taken seriously. While the action progresses with a certain grim realism, Schroeder's superficial responses to the issues raised undercut the impact. As with The Appeal, the author's passionate views on serious flaws in the justice system don't translate well into fiction.
Publishers Weekly

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Discussion Questions 
Use our LitLovers Book Club Resources; they can help with discussions for any book:

• How to Discuss a Book (helpful discussion tips)
• Generic Discussion Questions—Fiction and Nonfiction
• Read-Think-Talk (a guided reading chart)

Also consider these LitLovers talking points to help get a discussion started for The Confession:

1. How is your reading of this novel affected by the knowledge that much in the book is based on actual events, not just in Texas but in other states as well?

2. What evidence is used to charge and convict Donte Drumm of Nicole Yarber's murder?

3. Enumerate the flaws in the justice system that Grisham's book illuminates, starting with the police officers and their technique of attaining Drumm's confession.

4. What other parts of the system come under Grisham's criticism?

5. What are the pressures that come to bear on the legal system when a murder takes place—pressures that might force an indictment and conviction unfairly?

6. Do you find the sections dealing with Drumm's years on death row believable? Talk about this revealing passage:

You count the days and watch the years go by. You tell yourself, and you believe it, that you'd rather just die. You'd rather stare death boldly in the face and say you're ready because whatever is waiting on the other side has to be better than growing old in a six-by-ten cage with no one to talk to. You consider yourself half-dead at best. Please take the other half....

But Drumm's thoughts end with "no one really wants to die," even if his life is so miserably confined. Talk about the will to live despite life's circumstances.

7. What role does race play in this story?

8. Was this book suspenseful? Was the ending—with all the twists & turns along the way—surprising or predictable? Did you have an idea of how it would end? (Okay, be honest: did you skip ahead to read the ending?)

9. At one point, Schroeder wonders whether he would believe in the death penalty if Boyette rather than Drumm were scheduled for execution. What do you think?

10. Grisham has received criticism that his characters are one-dimensional—either all good or all bad, depending on which side of the death penalty issue they fall on. Do you agree? Or do you feel his characters are fully drawn? What about Keith Schroeder?

11. Grisham has also been criticized for straying from his signature suspense fiction to push his views on the death penalty. Do you agree with those critics? Should Grisham, as a writer of fiction, stay away from hot button political issues? Or should he to use his popularity as a fiction writer to speak out? Does your answer to that question align with your attitude toward the death penalty?

12. Have you learned anything new about the working of the legal system in this country? Do you see it in a different light because of Grisham's book?

13. What are your views regarding the death penalty? Has your perspective been changed by reading this book? Do you see Grisham's book as a fair—or unfair—portrayal of the legal system and death penalty issue?

(Questions by LitLovers. Please feel free to use them, online or off, with attribution. Thanks.

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