Within this book's hermetically sealed universe, characters' motivations don't really have to make sense; they just have to generate the nonstop momentum that makes The Lost Symbol impossible to put down.... [The novel] manages to take a twisting, turning route through many such aspects of the occult even as it heads for a final secret that is surprising for a strange reason: It's unsurprising. It also amounts to an affirmation of faith. In the end it is Mr. Brown's sweet optimism, even more than Langdon's sleuthing and explicating, that may amaze his readers most.
Janet Maslin - New York Times
As a thriller, The Lost Symbol is exciting, although readers of The Da Vinci Code will notice that some of the same stock characters and creaky plot devices pop up.
Wall Street Journal
Writers envious of Brown's sales (who wouldn't be?) have devoted much ink to his deficiencies as a stylist. These are still in place.... So is Brown's habit of turning characters into docents. But so, too, is his knack for packing huge amounts of information...into an ever-accelerating narrative. Call it Brownian motion: a comet-tail ride of short paragraphs, short chapters, beautifully spaced reveals and, in the case of The Lost Symbol, a socko unveiling of the killer's true identity
Louis Bayard - Washington Post
The wait is over. The Lost Symbol is here—and you don't have to be a Freemason to enjoy it.... Thrilling and entertaining. Like the experience on a roller coaster.
Los Angeles Times
After scores of Da Vinci Code knockoffs, spinoffs, copies and caricatures, Brown has had the stroke of brilliance to set his breakneck new thriller not in some far-off exotic locale, but right here in our own backyard. Everyone off the bus, and welcome to a Washington, D.C., they never told you about on your school trip when you were a kid, a place steeped in Masonic history that, once revealed, points to a dark, ancient conspiracy that threatens not only America but the world itself. Returning hero Robert Langdon comes to Washington to give a lecture at the behest of his old mentor, Peter Solomon. When he arrives at the U.S. Capitol for his lecture, he finds, instead of an audience, Peter's severed hand mounted on a wooden base, fingers pointing skyward to the Rotunda ceiling fresco of George Washington dressed in white robes, ascending to heaven. Langdon teases out a plethora of clues from the tattooed hand that point toward a secret portal through which an intrepid seeker will find the wisdom known as the Ancient Mysteries, or the lost wisdom of the ages. A villain known as Mal'akh, a steroid-swollen, fantastically tattooed, muscle-bodied madman, wants to locate the wisdom so he can rule the world. Mal'akh has captured Peter and promises to kill him if Langdon doesn't agree to help find the portal. Joining Langdon in his search is Peter's younger sister, Kathleen, who has been conducting experiments in a secret museum. This is just the kickoff for a deadly chase that careens back and forth, across, above and below the nation's capital, darting from revelation to revelation, pausing only to explain some piece of wondrous, historical esoterica. Jealous thriller writerswill despair, doubters and nay-sayers will be proved wrong, and readers will rejoice: Dan Brown has done it again.
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