Yann Martel is a superb storyteller, and he has fashioned a fable: a metaphysical exploration into our relationship with the cosmos and the divine.
A LitLovers LitPick (May '07)
Pi is Martel's triumph. He is understated and ironic, utterly believable and pure. The whole fantastic voyage carries hints of The Old Man and The Sea. The playfulness adds another layer to an already strong story.
Globe and Mail
If Canadian writer Yann Martel were a preacher, he'd be charismatic, funny and convert all the non-believers. He baits his readers with serious themes and trawls them through a sea of questions and confusion, but he makes one laugh so much, and at times feel so awed and chilled, that even thrashing around in bewilderment or disagreement one can't help but be captured by his prose.
Charlotte Innes - The Nation
An impassioned defense of zoos, a death-defying trans-Pacific sea adventure à la "Kon-Tiki," and a hilarious shaggy-dog story starring a four-hundred-and-fifty-pound Bengal tiger named Richard Parker: this audacious novel manages to be all of these as it tells the improbable survivor's tale of Pi Patel, a young Indian fellow named for a swimming pool (his full first name is Piscine) who endures seven months in a lifeboat with only a hungry, outsized feline for company. This breezily aphoristic, unapologetically twee saga of man and cat is a convincing hands-on, how-to guide for dealing with what Pi calls, with typically understated brio, "major lifeboat pests."
The New Yorker
There are echoes in his work of Latin American magic realism (reminiscent of García Márquez and Borges) and touches of absurdist mind games. A cross-cultural feast, the book ranges from India to North America; it's also packed with curious disquisitions on philosophy, zoology, linguistics and God. But in the end, it's the story you'll remember, the kind of twist-and-turns spellbinder that's almost impossible to forget.
A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. The peripatetic Pi (n the much-taunted Piscine) Patel spends a beguiling boyhood in Pondicherry, India, as the son of a zookeeper. Growing up beside the wild beasts, Pi gathers an encyclopedic knowledge of the animal world. His curious mind also makes the leap from his native Hinduism to Christianity and Islam, all three of which he practices with joyous abandon. In his 16th year, Pi sets sail with his family and some of their menagerie to start a new life in Canada. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. After the beast dispatches the others, Pi is left to survive for 227 days with his large feline companion on the 26-foot-long raft, using all his knowledge, wits and faith to keep himself alive. The scenes flow together effortlessly, and the sharp observations of the young narrator keep the tale brisk and engaging. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal. This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction. In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master.
Named for a swimming pool in Paris the Piscine Molitor "Pi" Patel begins this extraordinary tale as a teenager in India, where his father is a zoo keeper. Deciding to immigrate to Canada, his father sells off most of the zoo animals, electing to bring a few along with the family on their voyage to their new home. But after only a few days out at sea, their rickety vessel encounters a storm. After crew members toss Pi overboard into one of the lifeboats, the ship capsizes. Not long after, to his horror, Pi is joined by Richard Parker, an acquaintance who manages to hoist himself onto the lifeboat from the roiling sea. You would think anyone in Pi's dire straits would welcome the company, but Richard Parker happens to be a 450-pound Bengal tiger. It is hard to imagine a fate more desperate than Pi's: "I was alone and orphaned, in the middle of the Pacific, hanging on to an oar, an adult tiger in front of me, sharks beneath me, a storm raging about me." At first Pi plots to kill Richard Parker. Then he becomes convinced that the tiger's survival is absolutely essential to his own. In this harrowing yet inspiring tale, Martel demonstrates skills so well honed that the story appears to tell itself without drawing attention to the writing. This second novel by the Spanish-born, award-winning author of Self, who now lives in Canada, is highly recommended for all fiction as well as animal and adventure collections. — Edward Cone, New York
A fable about the consolatory and strengthening powers of religion flounders about somewhere inside this unconventional coming-of-age tale, which was shortlisted for Canada's Governor General's Award. The story is told in retrospect by Piscine Molitor Patel (named for a swimming pool, thereafter fortuitously nicknamed "Pi"), years after he was shipwrecked when his parents, who owned a zoo in India, were attempting to emigrate, with their menagerie, to Canada. During 227 days at sea spent in a lifeboat with a hyena, an orangutan, a zebra, and a 450-pound Bengal tiger (mostly with the latter, which had efficiently slaughtered its fellow beasts), Pi found serenity and courage in his faith: a frequently reiterated amalgam of Muslim, Hindu, and Christian beliefs. The story of his later life, education, and mission rounds out, but does not improve upon, the alternately suspenseful and whimsical account of Pi's ordeal at sea—which offers the best reason for reading this otherwise preachy and somewhat redundant story of his Life.
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