Jodi Picoult, 2010
Simon & Schuster
Jacob Hunt is a teenage boy with Asperger's syndrome. He's hopeless at reading social cues or expressing himself well to others, and like many kids with AS, Jacob has a special focus on one subject—in his case, forensic analysis. He's always showing up at crime scenes, thanks to the police scanner he keeps in his room, and telling the cops what they need to do...and he's usually right. But then his town is rocked by a terrible murder and, for a change, the police come to Jacob with questions. All of the hallmark behaviors of Asperger's—not looking someone in the eye, stimulatory tics and twitches, flat affect— can look a lot like guilt to law enforcement personnel.
Suddenly, Jacob and his family, who only want to fit in, feel the spotlight shining directly on them. For his mother, Emma, it's a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it's another indication of why nothing is normal because of Jacob. And over this small family the soul-searing question looms: Did Jacob commit murder?
Emotionally powerful from beginning to end, House Rules looks at what it means to be different in our society, how autism affects a family, and how our legal system works well for people who communicate a certain way—and fails those who don't.
Good schools, solid values and a healthy real estate market. It’s the kind of place where parents are involved in their children’s lives–coaching sports. (From the publisher.)
• Birth—May 19, 1966
• Where—New York, New York, USA
• Education—B.A., Princeton University; M.A., Harvard University
• Currently—lives in Hanover, New Hampshire
Jodi Picoult received an A.B. in creative writing from Princeton and a master's degree in education from Harvard. The recipient of the 2003 New England Book Award for her entire body of work, she is the author of fourteen novels, including The Tenth Circle, Vanishing Acts, and My Sister's Keeper, for which she received the American Library Association's Margaret Alexander Edwards Award. Recently, she penned several issues of Wonder Woman for DC Comics. She lives in New Hampshire with her husband and three children. (From the publisher.)
Born on Long Island, New York, Jodi Picoult was convinced that the tranquil, suburban setting offered no real inspiration to her for being a writer. There was no drama; just the daily grind of families living their lives. Eventually, though, the story of this challenge became the core of Picoult's bestselling novels.
Picoult studied creative writing at Princeton, and before she graduated, she had two short stories published in Seventeen magazine. This early success inspired Picoult to devote her life to writing. After college, she paid the bills with a series of copywriting and editing jobs, and she even taught eighth grade English. Marriage and children soon followed, and while she was pregnant with her first child, she wrote her first novel, Songs of the Humpback Whale, a remarkable tale told from five different points of view that heralded a bold new voice in fiction.
In subsequent novels, Picoult has mined the complex mysteries of everyday life: love, marriage, career, family. Faced with difficult, often painful moral choices, her characters struggle to find balance in an off-kilter world fraught with danger and shattered by terrible sociological ills like domestic violence, sexual abuse, and teen suicide. Though page-turners of the highest order, Picoult's stories avoid easy solutions and provoke thoughtful reading and animated discussion. Unsurprisingly, they are a favorite choice for book clubs.
From her web site, Picoult talks about the relationship between her family and her writing. "It took me a while to find the balance," Picoult says, "but I'm a better mother because I have my writing ... and I'm a better writer because of the experiences I've had as a parent that continually remind me how far we are willing to go for the people we love the most."
From a 2004 Barnes & Noble interview and her website:
• She has gone skydiving and says, "and I'd do it again—if I didn't have kids."
• Picoult and her family own two Jersey calves, named Decalf and Coffee.
• Before becoming a novelist, Picoult worked at a two-person ad agency, where her main responsibility was "to keep the owner's wife from finding out he was sleeping with the freelance art director."
• If she could invite anyone, living or dead, to a dinner party, Picoult's guest list would include Ernest Hemingway, Alice Hoffman, William Shakespeare, Mel Gibson, and Emeril Lagasse.
• Other than writing, other talents of Picoult's include making Linzer tortes and broccoli soup, and childbirth. "I'm awfully good at giving birth—quickly, no drugs, etc.—though that definitely has a limited appeal," she quips.
• When asked what book influenced her most, this is what she said:
Gone With The Wind. I read it when I was twelve— I was a total dork, and memorized huge sweeping dialogues I could act out as both Scarlett and Rhett. But what stuck with me was the way Margaret Mitchell managed to create an entire world out of words. I thought, "I want to do that." (Author bio and interview from Barnes & Noble.)
Songs of the Humpback Whale (1992)
Harvesting the Heart (1993)
Picture Perfect (1995)
The Pact (1998)
Keeping Faith (1999)
Plain Truth (2000)
Salem Falls (2001)
Perfect Match (2002)
Second Glance (2003)
My Sister's Keeper (2004)
Vanishing Acts (2005)
The Tenth Circle (2006)
Nineteen Minutes (2007)
Change of Heart (2008)
Handle With Care (2009)
House Rules (2010)
Sing You Home (2011)
Lone Wolf (2012)
The Storyteller (2013)
Leaving Time (2014) (Bibliograhphy from Wikipedia.)
Throughout the long unfolding of House Rules, Picoult keeps so many storyline streamers whirling in the air that it would be easy just to praise her technical mastery. But though the multiple plots and narrators are, indeed, adroitly managed, what most readers will cherish is the character of Jacob Hunt, an 18-year-old high school student with Asperger's syndrome.… Picoult's depiction of Jacob and his family is complex, compassionate and smart…. But, again, it's Jacob who will linger with readers. Desperate to connect with other people and yet hampered in his ability to do so, he is painfully glassed off from the world of his peers, as well as from most adults. Picoult's superb novel makes us inhabit Jacob's solitude and abide his yearning.
Maureen Corrigan - Washington Post
Picoult is a skilled wordsmith, and she beautifully creates situations that not only provoke the mind but touch the flawed souls in all of us.
Perennial bestseller Picoult (Handle with Care) has a rough time in this Picoult-esque blend of medical and courtroom drama that lacks her usual storytelling finesse. Eighteen-year old Jacob Hunt has Asperger's syndrome, and his devoted single mother, Emma, has built their family's life around Jacob's needs, sacrificing her career to act as his caregiver and all but ignoring a younger son, Theo. But when Jacob is accused of murder, that carefully crafted life comes apart, and all of the hallmarks of Jacob's diagnosis begin to make him look guilty. Emma hires a young attorney whose attachment to Jacob brings him close to the family as he struggles to mount a defense for Jacob, whose inability to read social cues makes him less than an ideal client. While Picoult's research is impeccable and she deals intelligently with charged questions about autism and Asperger's, the whodunit is stretched sitcom-thin and handled poorly, with characters withholding information from the reader throughout. Picoult's writing, line by line, is as smooth as ever, and she does a great job of getting into Jacob's head, but the wobbly plotting is a massive detriment.
The prolific Picoult crafts a cunning whodunit that explores what it's like to be not only a teenager with Aspberger's syndrome but also as an AS kid accused of murder.... Faithful Picoult fans will whisk this off the shelves, but devoted readers of savvy courtroom dramas should also give it a try— Carol Haggas
A young autistic man obsessed with criminology is charged with the murder of his tutor, in Picoult's suspenseful but anticlimactic latest (Handle with Care, 2009, etc.). Jacob, now 18, first exhibited signs of Asperger's syndrome at three, shortly after his first vaccination series. Highly verbal and analytical, but flummoxed by the most ordinary social interactions, Jacob negotiates a world fraught with terrors by adhering to a rigid set of rules and calming rituals. Jacob's life centers around a CSI-esque TV show called CrimeBusters, which he must watch each afternoon as punctiliously as Rain Man watches Wapner. Usually, Jacob beats the CrimeBusters cast to a solution of each episode's mystery by about 20 minutes. He's created his own forensics lab in his bedroom, and, alerted by a police scanner, has snuck out at night to "crash" crime scenes in his small Vermont hometown. His mother, Emma, is a financially struggling, part-time advice columnist. Jacob's father fled the chaotic household after Jacob knocked his younger brother Theo's highchair over, wounding the infant. Theo, now 15, resents the oxygen sucked out of his family life by Jacob and, yearning to observe "normal" domesticity, has begun breaking into homes. Circumstances converge, resulting in the death, from blunt head trauma, of Jacob's tutor, Jess, a college student. Theo enters a home where, unbeknownst to him, Jess is housesitting, and flees after surprising her in the shower. Her loutish boyfriend Mark had been observed quarreling with her earlier. Jacob, arriving for an appointment with Jess, finds her body and expertly sets up a crime scene to focus suspicion on Mark. The body of Jess is discovered in a culvert, and, on the pretext of seeking his advice, a police detective interrogates Jacob, who handily incriminates himself, even reciting his own Miranda Rights from memory. Emma hires a rookie attorney who gamely cobbles together a defense, with Jacob's coaching. Worth the read for the detailed dramatization of Asperger's; however, like Jacob, the reader will solve this whodunit far in advance of the principals.
1. "My mother will tell you Jacob’s not violent, but I am living proof that she’s kidding herself" (p.11).
As with many of Jodi Picoult’s previous novels House Rules is written from the perspective of several different characters, each taking turns to narrate a chapter. Why do you think Picoult favours this narrative device, considering the nature of her stories? Is it a successful technique?
2. Jacob’s meltdown give the reader many clues into what Emma’s like is like taking care of Jacob. What does it tell us about Emma and her personality?
3. (p. 20) Jacob says, “Why would I want to be friends with kids who are nasty to people like me anyway?” What does this tell us about Jacob?
4. (p.20) There are 12 things listed that Jacob can’t stand. Do you see his logic? We all have things we could put into such a list. What would yours be?
5. The rules of the house are listed on page 21. Do they seem appropriate or unusual? Would they be rules that would work in your house? Why should a rule that works in one situation not work in another? (p 75) "If a bully taunts him and I tell him it’s all right to reciprocated….why shouldn’t he do the same with a teacher who humiliates him in public?" Discuss.
6. Theo is the younger brother but he has to take care of Jacob. How does Theo handle the conflict of his position in the family? Do you agree that he has it "worse than Jacob" (p.107)?
7. Asperger’s Syndrome is a relatively new term. Do you know someone who has been diagnosed with AS? Have you read any other books that deal with autism as a theme, or that depict autistic characters? How does House Rules compare? Does autism make good subject material and, if so, why? What challenges does AS pose in the telling of a story? How well does Jodi Picoult deal with those challenges?
8. Theo breaks into houses and Jacob saves the Christmas cards. Both boys are trying to have the same thing—what they consider to be a real home. What makes their home not a “real” home to them? What do they want?
9. (p. 146) Jacob says being on the other side of dead isn’t that different from having Asperger’s. What do you think he means by that?
10. The evidence points to Mark as a suspect. He claims he’s innocent. What does Emma see on the news that changes everything? How would you react? Would you call the police?
11. "I’m new to practicing criminal law, period, but I don’t tell her that" (p.231). Is it fair of Oliver to take on Jacob’s case, considering his inexperience? Does he prove himself a good lawyer? How might he have done things differently?
12. Mark Maguire perceives AS as a "Get Out of Jail Free card" (p.285), whereas a defender general observes that "Vermont’s decidedly crappy when it comes to psychiatric care for inmates" (p.231) and Neurodiversity Nation believes ‘neurotypicals’ are trying to "destroy diversity" for autistic people (p.321). Who is closest to the truth? What kind of social provisions are made for Jacob at home, at school and in the wider community? Are they excessive, inadequate or inappropriate?
13. Who is a better brother, Jacob or Theo?
14. Oliver makes a request for accommodations for Jacob in court. Do they seem fair? The first 5 minutes of the trial show the constant vigilance needed to keep Jacob from having a meltdown and how much Emma does know about her son. Discuss.
15. Emma’s been a single mom for about 15 years. She doesn’t appreciate her ex-husband showing up. Would you? How does she change later?
16. (p. 454) Jacob’s concept: "The concept of Asperger’s is like a flavoring added to a person and although my concentration is higher than those of others, if tested everyone would have traces of this condition too." Discuss.
17. Look again at the novel’s opening passage, and at some chapter endings. What literary devices does Jodi Picoult employ to arrest your attention and keep it engaged? Consider how Picoult has crafted this novel. How might it be different without certain plot elements, such as Jacob’s love of forensics or Emma’s single mother status, or Oliver’s professional inexperience? Does Jodi Picoult deserve her reputation as a "master plotter"?
18. "I can smell my mother…my knees give with relief, with the knowledge that I have not faded away after all" (p.241).
How would you describe Jacob’s ability to feel emotion and relate to people — particularly Emma, Theo and Jess? Is he capable of love, despite his AS?
19. In her acknowledgements, Jodi Picoult reveals that when researching House Rules "I spoke with numerous people who have personal experience with Asperger’s syndrome’ (p.viii). How important is this sort of authentication for a work of fiction?
20. How does Picoult deal with the highly contentious issue of autism and childhood vaccinations? What are her responsibilities, if any, to present a balanced view?
21. How do you think you might have voted if you were on Jacob’s jury? Why do you think Jodi Picoult omits the verdict from the end of the book? Is it a good ending?
22. "I think I might be dead. I make this deduction from the following facts…" (p.216). "Oliver…spoke to me in the language of nature. That’s all I’ve ever wanted: to be as organic as…the spiral of a shell" (p.241) What did you make of Jacob’s narrative? Does his account differ to the others’? Did it help you get to "know" Jacob, and to understand his Asperger’s?
23. "Who…hasn’t felt marginalized at some point? Who hasn’t felt like they don’t belong?’ (p.252).
24. Rich’s empathy for Jacob is based on "the things that, against all odds, we have in common" (p.254). Do you agree that you have to feel a connection with someone to empathise with him/her? How did you engage with this book emotionally, and whom did you empathise with most? Which bits did you find most moving — the domestic back-story, or the dramatic present?
25. House Rules is intersected with real-life criminal case studies. What do they bring to the novel? What did you make of "Case 11: My Brother’s Keeper" and the "I" that appears on the book’s final page? Who is this "I"? Does it change your understanding of what came before? Does it change your view of the "house rules"?
26. Did you ever suspect Jacob? Or Theo? When did you guess what had happened to Jess? Did you enjoy the story’s detective elements?
27. "You’re either a father twenty-four/seven or not at all" (p.448). Is Emma’s admonishment of Henry fair? What does House Rules have to say about parenthood and its responsibilities?
28. Many of Jodi Picoult’s novels pivot on a court case or legal dispute. What does the legal contention in House Rules lend to the book? How might it be different without it?
29. Who are the "baddies" in House Rules? Who are the "goodies" and the victims? Who tells the truth? Whose rules are best? Does the book challenge our idea of right and wrong and of legal justice?
30. "We’ve always said that Asperger’s isn’t a disability…just a different ability" (p.265). What did you know about autism and AS before reading House Rules? Did the novel challenge your views on the subject, or on disability more generally? Is it an educational book?
(Questions from the author's website.)
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