Curious Incident of the Dog in the Night-Time (Haddon)

The Curious Incident of the Dog in the Night-Time 
Mark Haddon, 2003
Random House
240 pp.
ISBN-13: 9781400032716

Summary  
Winner, 2003 Whitbread Prize and Commonwealth Writer's Prize

Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. Although gifted with a superbly logical brain, Christopher is autistic.

Everyday interactions and admonishments have little meaning for him. Routine, order and predictability shelter him from the messy, wider world. Then, at fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbor’s dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.

Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christopher’s mind.

And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.

The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years: a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read. (From the publisher.)

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Author Bio 
• Birth—September 26, 1962
• Where—Northampton, UK
• Education—Oxford University
• Currently—lives in Oxford, UK


Mark Haddon was born in Northampton and educated at Uppingham School and Merton College, Oxford, where he studied English.

In 2003, Haddon won the Whitbread Book of the Year Award and in 2004, the Commonwealth Writers' Prize Overall Best First Book for his novel The Curious Incident of the Dog in the Night-time, a book which is written from the perspective of a boy with Asperger syndrome. Haddon's knowledge of Asperger syndrome, a condition on the autism spectrum, comes from his work with autistic people as a young man. In an interview at Powells.com, Haddon claimed that this was the first book that he wrote intentionally for an adult audience; he was surprised when his publisher suggested marketing it to both adult and child audiences.

His second adult novel, A Spot of Bother, was published in September 2006, and The Red House in 2012.

Mark Haddon is also known for his series of Agent Z books, one of which, Agent Z and the Penguin from Mars, was made into a 1996 Children's BBC sitcom. He also wrote the screenplay for the BBC television adaptation of Raymond Briggs's story Fungus the Bogeyman, screened on BBC1 in 2004. In 2007 he wrote the BBC television drama Coming Down the Mountain.

Haddon is a vegetarian, and enjoys vegetarian cookery. He describes himself as a 'hard-line atheist'. In an interview with The Observer, Haddon said "I am atheist in a very religious mould". His atheism might be inferred from The Curious Incident of the Dog in the Night-time in which the main character declares that those who believe in God are stupid.

In 2009, he donated the short story "The Island" to Oxfam's 'Ox-Tales' project, four collections of UK stories written by 38 authors. Haddon's story was published in the Fire collection. (From Wikipedia.)

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Book Reviews 
On page 1 Christopher Boone (15) finds his neighbor’s dog stabbed with a garden fork.  Over the next 119 pages, he attempts to solve the mystery of its murder.  On page 120, he finds the answer; 101 pages later, the book ends.  There are 45 drawings, 17 charts and graphs, 12 equations, 16 lists, and 1 photo.  And that’s not counting the 3-3/4 page appendix. —And It took me 2:57:45 hours to finish the book. That's pretty much the way our young narrator negotiates his world.
A LitLovers LitPick  (April '07)

In choosing to make Christopher his narrator, Mr. Haddon has deliberately created a story defined and limited by his hero's very logical, literal-minded point of view. The result is a minimalistic narrative—not unlike a Raymond Carver story in its refusal to speculate, impute motive or perform emotional embroidery.
Michiko Kakutani - The New York Times

The essence of good writing is a sort of cataloguing, if you will, with the author supplying the details of the world he wants to evoke and the reader supplying the nuances of interpretation. Thanks to the brilliance of Haddon's prose, this back-and-forth works extremely well in The Curious Incident.... In this striking first novel, Mark Haddon is both clever and observant, and the effect is vastly affecting.
Nani Power - The Washington Post

Haddon's book is a bit like watching a DVD with a commentary track. There is the story that Christopher relates as he understands it alongside the story that he doesn't fully grasp. His favorite book is The Hound of the Baskervilles—that's where the title comes from—and he's aware of the demands of the mystery genre. One ongoing device is his comically self-conscious deployment of hard-boiled police procedural phrases, as when he notes of a suspect, "I might have more evidence against him, or be able to Exclude Him From My Investigation."
Tom Peyser - The Los Angeles Times

Curious Incident meticulously imagines the frustrations of an autistic's world, where sensory intake is heightened but the capacity to process information diminished. The hero's brain chemistry is the book's best safeguard against cuteness. He keeps his distance because he has no other option, an unwitting hardass to the end.
The Village Voice

The fifteen-year-old narrator of this ostensible murder mystery is even more emotionally remote than the typical crime-fiction shamus: he is autistic, prone to fall silent for weeks at a time and unable to imagine the interior lives of others. This might seem a serious handicap for a detective, but when Christopher stumbles on the dead body of his neighbor's poodle, impaled by a pitchfork, he decides to investigate. Christopher understands dogs, whose moods are as circumscribed as his own ("happy, sad, cross and concentrating"), but he's deaf to the nuances of people, and doesn't realize until too late that the clues point toward his own house and a more devastating mystery. This original and affecting novel is a triumph of empathy; whether describing Christopher's favorite dream (of a virus depopulating the planet) or his vision of the universe collapsing in a thunder of stars, the author makes his hero's severely limited world a thrilling place to be.
The New Yorker

Christopher Boone, the autistic 15-year-old narrator of this revelatory novel, relaxes by groaning and doing math problems in his head, eats red-but not yellow or brown-foods and screams when he is touched. Strange as he may seem, other people are far more of a conundrum to him, for he lacks the intuitive "theory of mind" by which most of us sense what's going on in other people's heads. When his neighbor's poodle is killed and Christopher is falsely accused of the crime, he decides that he will take a page from Sherlock Holmes (one of his favorite characters) and track down the killer. As the mystery leads him to the secrets of his parents' broken marriage and then into an odyssey to find his place in the world, he must fall back on deductive logic to navigate the emotional complexities of a social world that remains a closed book to him. In the hands of first-time novelist Haddon, Christopher is a fascinating case study and, above all, a sympathetic boy: not closed off, as the stereotype would have it, but too open-overwhelmed by sensations, bereft of the filters through which normal people screen their surroundings. Christopher can only make sense of the chaos of stimuli by imposing arbitrary patterns ("4 yellow cars in a row made it a Black Day, which is a day when I don't speak to anyone and sit on my own reading books and don't eat my lunch and Take No Risks"). His literal-minded observations make for a kind of poetic sensibility and a poignant evocation of character. Though Christopher insists, "This will not be a funny book. I cannot tell jokes because I do not understand them," the novel brims with touching, ironic humor. The result is an eye-opening work in a unique and compelling literary voice.
Publishers Weekly

Sometimes profound characters come in unassuming packages. In this instance, it is Christopher Boone, a 15-year-old autistic savant with a passion for primary numbers and a paralyzing fear of anything that happens outside of his daily routine. When a neighbor's dog is mysteriously killed, Christopher decides to solve the crime in the calculating spirit of his hero, Sherlock Holmes. Little does he know the real mysteries he is about to uncover. The author does a revelatory job of infusing Christopher with a legitimate and singularly human voice. Christopher lives in a world that is devoid of the emotional responses most of us expect, but that does not mean he lacks feelings or insights. Rather than being just a victim, he is allowed to become a complex character who is not always likable and sometimes demonstrates menacing qualities that give this well-trod narrative path much-needed freshness. The novel is being marketed to a YA audience, but strong language and adult situations make this a good title for sophisticated readers of all ages. Highly recommended for all fiction collections. —David Hellman, San Francisco State Univ. Lib.
Library Journal

Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who's also a math genius. Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor's dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he "would like to read himself"-and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears's dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can't stand to be touched-any more than he can stand the colors yellow or brown, or not knowing what's going to happen next). Christopher's father bails him out but forbids his doing any more "detecting" about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother's "death," his father's own part in it-and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds-his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced "maths" in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly. A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.
Kirkus Reviews 

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Discussion Questions 
1. How do you think this novel bridges the gap between literature for adults and children?

2. What do you think Haddon's illustrations add to the story and to our understanding of Christopher's character?

3. Although seemingly ill equipped as the narrator of a book, Christopher's character succeeds in eliciting a wide range of emotions in the reader. How do you think Haddon uses his protagonists voice to touch his audience in such a way?

4. Discuss the relationship between father and son in the novel. How well do you think Christopher's father copes with his son's condition?

5. The author has used his extensive knowledge of Asperger's syndrome to allow us to see the world through Christopher's eyes, how do you think the story further enhances our attachment to the character and our enjoyment of the book in general?

6. How far do you think the author has used Christopher's alienating condition to expose intricate truths about our modern lives? Do you think this was his intention in Christopher's exposure of his parent's secret?
(Questions issued by publisher.)

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