Mr. Jacobson doesn't just summon [Philip] Roth; he summons Roth at Roth's best. This prizewinning book is a riotous morass of jokes and worries about Jewish identity, though it is by no means too myopic to be enjoyed by the wider world. It helps that Mr. Jacobson's comic sensibility suggests Woody Allen's, that his powers of cultural observation are so keen, and that influences as surprising as Lewis Carroll shape this book.
Janet Maslin - New York Times
Although there is a plot, The Finkler Question is really a series of tragicomic meditations on one of humanity's most tenacious expressions of malice, which I realize sounds about as much fun as sitting shiva, but Jacobson's unpredictable wit is more likely to clobber you than his pathos. In these pages, he's refined the funny shtick of Kalooki Nights (2007) to produce a more cerebral comedy about the bizarre metastasis of anti-Semitism and the exhausting complications of Zionism.
Ron Charles - Washington Post
A striking novel and a subtle one… The Finkler Question has all the qualities we expect from Mr. Jacobson—especially a mordant wit, sometimes as acrid as it is exuberant. He has been called the English Philip Roth, and it is true that the two authors have in common a white-hot indignation, at anti-Semitism and much else... With The Finkler Question, Mr. Jacobson has managed to channel his themes and his characters' emotions... with nuance, insight and, yes, laughter.
Wall Street Journal
It is tempting—after reading something as fine as The Finkler Question—not to bother reviewing it in any meaningful sense but simply to urge you to put down this paper and go and buy as many copies as you can carry … Full of wit, warmth, intelligence, human feeling and understanding. It is also beautifully written … Indeed, there’s so much that is first rate in the manner of Jacobson’s delivery that I could write all day on his deployment of language without once mentioning what the book is about.
Edward Docx - Observer (UK)
This charming novel follows many paths of enquiry, not least the present state of Jewish identity in Britain and how it integrates with the Gentile population. Equally important is its exploration of how men share friendship. All of which is played out with Jacobson’s exceptionally funny riffs and happy-sad refrains … Jacobson’s prose is a seamless roll of blissfully melancholic interludes. Almost every page has a quotable, memorable line.
Christian House - Independent on Sunday (UK)
There are some great riffs and skits in The Finkler Question.... But at the heart of the book is Julian the wannabe Jew, a wonderful comic creation precisely because he is so tragically touching in his haplessness. The most moving (and funniest) scenes are those in which he and Libor, the widower with nothing more to live for, ruminate on love and Jewishness.
Adam Lively - Sunday Times (UK)
(Starred review.) Winner of the 2010 Man Booker Prize, Jacobson's wry, devastating novel examines the complexities of identity and belonging, love, and grief through the lens of contemporary Judaism. Julian Treslove, a former BBC producer who works as a celebrity double, feels out of sync with his longtime friend and sometimes rival Sam Finkler, a popular author of philosophy-themed self-help books and a rabidly anti-Zionist Jewish scholar. The two have reconnected with their elderly professor, Libor Sevcik, following the deaths of Finkler and Libor's wives, leaving Treslove—the bachelor Gentile—even more out of the loop. But after Treslove is mugged—the crime has possible anti-Semitic overtones—he becomes obsessed with what it means to be Jewish, or "a Finkler." Jacobson brilliantly contrasts Treslove's search for a Jewish identity—through food, spurts of research, sex with Jewish women—with Finkler's thorny relationship with his Jewish heritage and fellow Jews. Libor, meanwhile, struggles to find his footing after his wife's death, the intense love he felt for her reminding Treslove of the belonging he so craves. Jacobson's prose is effortless—witty when it needs to be, heartbreaking where it counts—and the Jewish question becomes a metaphor without ever being overdone.
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