Jonathan Franzen's galvanic new novel, Freedom, showcases his impressive literary toolkit—every essential storytelling skill, plus plenty of bells and whistles—and his ability to throw open a big, Updikean picture window on American middle-class life. With this book, he's not only created an unforgettable family, he's also completed his own transformation from a sharp-elbowed, apocalyptic satirist focused on sending up the socio-economic-political plight of this country into a kind of 19th-century realist concerned with the public and private lives of his characters.... Franzen has written his most deeply felt novel yet—a novel that turns out to be both a compelling biography of a dysfunctional family and an indelible portrait of our times.
Michiko Kakutani - New York Times
Jonathan Franzen's new novel, Freedom, like his previous one, The Corrections, is a masterpiece of American fiction. The two books have much in common. Once again Franzen has fashioned a capacious but intricately ordered narrative that in its majestic sweep seems to gather up every fresh datum of our shared millennial life.... Like all great novels, Freedom does not just tell an engrossing story. It illuminates, through the steady radiance of its author's profound moral intelligence, the world we thought we knew.
Sam Tanenhaus - New York Times Book Review
Freedom, his new book, and The Corrections, its predecessor, are at the same time engrossing sagas and scathing satires, and both books are funny, sad, cranky, revelatory, hugely ambitious, deeply human and, at times, truly disturbing. Together, they provide a striking and quite possibly enduring portrait of America in the years on either side of the turn of the 21st century.... His writing is so gorgeous.... Franzen is one of those exceptional writers whose works define an era and a generation, and his books demand to be read.
Harper Barnes - St. Louis Post-Dispatch
A lavishly entertaining account of a family at war with itself, and a brilliant dissection of the dissatisfactions and disappointments of contemporary American life... Compelling.... Freedom, though frequently funny, is ultimately tender: its emotional currency is both the pain and the pleasure that that word implies.... A rare pleasure, an irresistible invitation to binge-read.... That it also grapples with a fundamental dilemma of modern middle-class America—namely: Is it really still OK to spend your life asserting your unalienable right to the pursuit of happiness, when the rest of the world is in such a state?—is what makes it something wonderful. If Freedom doesn’t qualify as a Great American Novel for our time, then I don’t know what would.... The reason to celebrate him is not that he is doing something new but that he is doing something old, presumed dead—and doing it brilliantly. Freedom bids for a place alongside the great achievements of his predecessors, not his contemporaries; it belongs on the same shelf as John Updike’s Rabbit, Tom Wolfe’s The Bonfire of the Vanities, Philip Roth’s American Pastoral. It is the first Great American Novel of the post-Obama era
Benjamin Secher - Telegraph (UK)
It’s refreshing to see a novelist who wants to engage the questions of our time in the tradition of 20th-century greats like John Steinbeck and Sinclair Lewis.... [This] is a book you’ll still be thinking about long after you’ve finished reading it.
Patrick Condon - Associated Press
[A] great novel.... While his contemporaries content themselves with small books about nothing much or big books about comics, Franzen delivers the massive, old-school jams. It's not that Franzen's prose makes other writers seem untalented; it's that he makes them seem so lazy, so irrelevant, so lacking in the kind of chutzpah we once expected from our best authors. Freedom doesn't name check War and Peace for nothing. It's making a claim for shelf space among the kind of books that the big dogs used to write. The kind they called important. The kind they called greats.
Benjamin Alsup - Esquire
[T]he first question facing Franzen's feverishly awaited follow-up is whether it can find its own voice.... In short: yes, it does, and in a big way. [W]here the book stands apart is that...Franzen tries to account for his often stridently unlikable characters and find where they (and we) went wrong, arriving at—incredibly—genuine hope.
[A] sprawling, darkly comic new novel. The nature of personal freedom, the fluidity of good and evil, the moral relativism of nearly everything—Franzen takes on these thorny issues...a penchant for smart, deceptively simple, and culturally astute writing. —Susanne Wells, P.L. of Cincinnati & Hamilton Cty
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