Things Fall Apart (Achebe)

Author Bio 
• Birth—November 16, 1930 
• Where—Anambra State, Nigeria 
• Education—Dennis Memorial Grammar School (in Onitsha);
   Government College (in Umuahia); University of Ibadan
• Awards—Commonwealth Poetry Prize 
• Currently—lives in Annandale-on-Hudson, New York, USA

Chinua Achebe was cited in the London Sunday Times as one of the "1,000 Makers of the Twentieth Century" for defining "a modern African literature that was truly African" and thereby making "a major contribution to world literature."

Achebe has published novels short stories, essays, and children's books. His volume of poetry, Christmas in Biafra, written during the Biafran War, was the joint winner of the first Commonwealth Poetry Prize. Of his novels, Arrow of God won the New Statesman-Jock Campbell Award, and Anthills of the Savannah was a finalist for the 1987 Booker Prize.

Things Fall Apart, Chinua Achebe's masterpiece, has been published in fifty different languages and has sold millions of copies in the United States since its original publication in 1958-1959. (From the publisher.)

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Chinua was born Albert Chinualumogu Achebe in the Igbo village of Nneobi, on November 16, 1930. His parents stood at a crossroads of traditional culture and Christian influence; this made a significant impact on the children, especially Chinualumogu. After the youngest daughter was born, the family moved to Isaiah Achebe's ancestral village of Ogidi, in what is now the Nigerian state of Anambra.

Storytelling was a mainstay of the Igbo tradition and an integral part of the community. Chinua's mother and sister Zinobia Uzoma told him many stories as a child, which he repeatedly requested. His education was furthered by the collages his father hung on the walls of their home, as well as almanacs and numerous books—including a prose adaptation of A Midsummer Night's Dream (c. 1590) and an Igbo version of The Pilgrim's Progress (1678). Chinua also eagerly anticipated traditional village events, like the frequent masquerade ceremonies, which he recreated later in his novels and stories.

In 1936 Achebe entered St Philips' Central School. Despite his protests, he spent a week in the religious class for young children, but was quickly moved to a higher class when the school's chaplain took note of his intelligence. One teacher described him as the student with the best handwriting in class, and the best reading skills. He also attended Sunday school every week and the special evangelical services held monthly, often carrying his father's bag. A controversy erupted at one such session, when apostates from the new church challenged the catechist about the tenets of Christianity. Achebe later included a scene from this incident in Things Fall Apart

Early schooling
At the age of twelve, Achebe moved away from his family to the village of Nekede, four kilometres from Owerri. He enrolled as a student at the Central School, where his older brother John taught. In Nekede, Achebe gained an appreciation for Mbari, a traditional art form which seeks to invoke the gods' protection through symbolic sacrifices in the form of sculpture and collage. When the time came to change to secondary school, in 1944, Achebe sat entrance examinations for and was accepted at both the prestigious Dennis Memorial Grammar School in Onitsha and the even more prestigious Government College in Umuahia.

Modelled on the British public school, and funded by the colonial administration, Government College had been established in 1929 to educate Nigeria's future elite. It had rigorous academic standards and was vigorously egalitarian, accepting boys purely on the basis of ability. The language of the school was English, not only to develop proficiency but also to provide a common tongue for pupils from different Nigerian language groups. Achebe described this later as being ordered to "put away their different mother tongues and communicate in the language of their colonisers". The rule was strictly enforced and Achebe recalls that his first punishment was for asking another boy to pass the soap in Igbo.

Once there, Achebe was double-promoted in his first year, completing the first two years' studies in one, and spending only four years in secondary school, instead of the standard five. Achebe was unsuited to the school's sports regimen and belonged instead to a group of six exceedingly studious pupils. So intense were their study habits that the headmaster banned the reading of textbooks from five to six o'clock in the afternoon (though other activities and other books were allowed).

Achebe started to explore the school's "wonderful library". There he discovered Booker T. Washington's Up From Slavery (1901), the autobiography of an American former slave; Achebe "found it sad, but it showed him another dimension of reality". He also read classic novels, such as Gulliver's Travels (1726), David Copperfield (1850), and Treasure Island (1883) together with tales of colonial derring-do such as H. Rider Haggard's Allan Quatermain (1887) and John Buchan's Prester John (1910). Achebe later recalled that, as a reader, he "took sides with the white characters against the savages" and even developed a dislike for Africans. "The white man was good and reasonable and intelligent and courageous. The savages arrayed against him were sinister and stupid or, at the most, cunning. I hated their guts."

University of Ibadan
In 1948, in preparation for independence, Nigeria's first university opened. Known as University College, (now the University of Ibadan), it was an associate college of the University of London. Achebe obtained such high marks in the entrance examination that he was admitted as a Major Scholar in the university's first intake and given a bursary to study medicine. After a year of gruelling work, however, he decided science was not for him and he changed to English, history, and theology. Because he switched his field, however, he lost his scholarship and had to pay tuition fees. He received a government bursary, and his family also donated money—his older brother Augustine even gave up money for a trip home from his job as a civil servant so Chinua could continue his studies.

From its inception, the university had a strong English faculty and it includes many famous writers amongst its alumni. These include Nobel Laureate Wole Soyinka, novelist Elechi Amadi, poet and playwright John Pepper Clark, and poet Christopher Okigbo. In 1950 Achebe wrote a piece for the University Herald entitled "Polar Undergraduate", his debut as an author. It used irony and humour to celebrate the intellectual vigour of his classmates. He followed this with other essays and letters about philosophy and freedom in academia, some of which were published in another campus magazine, The Bug. He served as the Herald's editor during the 1951–2 school year.

While at the university, Achebe wrote his first short story, "In a Village Church", which combines details of life in rural Nigeria with Christian institutions and icons, a style which appears in many of his later works. Other short stories he wrote during his time at Ibadan (including "The Old Order in Conflict with the New" and "Dead Men's Path") examine conflicts between tradition and modernity, with an eye toward dialogue and understanding on both sides. When Geoffrey Parrinder, a professor, arrived at the university to teach comparative religion, Achebe began to explore the fields of Christian history and African traditional religions.

It was during his studies at Ibadan that Achebe began to become critical of European literature about Africa. He read Irish novelist Joyce Cary's 1939 book Mister Johnson, about a cheerful Nigerian man who (among other things) works for an abusive British store owner. Achebe recognised his dislike for the African protagonist as a sign of the author's cultural ignorance. One of his classmates announced to the professor that the only enjoyable moment in the book is when Johnson is shot.

After the final examinations at Ibadan in 1953, Achebe was awarded a second-class degree. Rattled by not receiving the highest result possible, he was uncertain how to proceed after graduation. He returned to his hometown of Ogidi to sort through his options.

While he meditated on his possible career paths, Achebe was visited by a friend from the university, who convinced him to apply for an English teaching position at the Merchants of Light school at Oba. It was a ramshackle institution with a crumbling infrastructure and a meagre library; the school was built on what the residents called "bad bush"—a section of land thought to be tainted by unfriendly spirits. Later, in Things Fall Apart, Achebe describes a similar area called the "evil forest", where the Christian missionaries are given a place to build their church.

As a teacher he urged his students to read extensively and be original in their work. The students did not have access to the newspapers he had read as a student, so Achebe made his own available in the classroom. He taught in Oba for four months, but when an opportunity arose in 1954 to work for the Nigerian Broadcasting Service (NBS), he left the school and moved to Lagos.

The NBS, a radio network started in 1933 by the colonial government, assigned Achebe to the Talks Department, preparing scripts for oral delivery. This helped him master the subtle nuances between written and spoken language, a skill that helped him later to write realistic dialogue.

The city of Lagos also made a significant impression on him. The city teemed with recent migrants from the rural villages. Achebe revelled in the social and political activity around him and later drew upon his experiences when describing the city in his 1960 novel No Longer At Ease.

Things Fall Apart
While in Lagos, Achebe started work on a novel. This was challenging, since very little African fiction had been written in English, although Amos Tutuola's Palm-Wine Drinkard (1952) and Cyprian Ekwensi's People of the City (1954) were notable exceptions. While appreciating Ekwensi's work, Achebe worked hard to develop his own style, even as he pioneered the creation of the Nigerian novel itself. A visit to Nigeria by Queen Elizabeth II in 1956 brought issues of colonialism and politics to the surface, and was a significant moment for Achebe.

Also in 1956, Achebe was selected for training in London at the Staff School run by the British Broadcasting Corporation (BBC). His first trip outside Nigeria was an opportunity to advance his technical production skills, and to solicit feedback on his novel (which was later split into two books). In London he met novelist Gilbert Phelps, to whom he offered the manuscript. Phelps responded with great enthusiasm, asking Achebe if he could show it to his editor and publishers. Achebe declined, insisting that it needed more work.

Back in Nigeria, Achebe set to work revising and editing his novel (now titled Things Fall Apart, after a line in the poem "The Second Coming" by William Butler Yeats). He cut away the second and third sections of the book, leaving only the story of a yam farmer named Okonkwo. He added sections, improved various chapters, and restructured the prose.

By 1957, he had sculpted it to his liking, and took advantage of an advertisement offering a typing service. He sent his only copy of his handwritten manuscript (along with the ₤22 fee) to the London company. After he waited several months without receiving any communication from the typing service, Achebe began to worry. His boss at the NBS, Angela Beattie, was going to London for her annual leave; he asked her to visit the company. She did, and angrily demanded to know why it was lying ignored in the corner of the office. The company quickly sent a typed copy to Achebe. Beattie's intervention was crucial for his ability to continue as a writer. Had the novel been lost, he later said, "I would have been so discouraged that I would probably have given up altogether.

In 1958, Achebe sent his novel to the agent recommended by Gilbert Phelps in London. It was sent to several publishing houses; some rejected it immediately, claiming that fiction from African writers had no market potential. Finally it reached the office of Heinemann, where executives hesitated until an educational adviser, Donald MacRae—just back in England after a trip through west Africa read the book and forced the company's hand with his succinct report: "This is the best novel I have read since the war."

Reception
Heinemann published 2,000 hardcover copies of Things Fall Apart on 17 June 1958. According to Alan Hill, employed by the publisher at the time, the company did not "touch a word of it" in preparation for release. The book was received well by the British press, and received positive reviews from critic Walter Allen and novelist Angus Wilson. Three days after publication, the Times Literary Supplement wrote that the book "genuinely succeeds in presenting tribal life from the inside". The Observer called it "an excellent novel", and the literary magazine Time and Tide said that "Mr. Achebe's style is a model for aspirants."

Initial reception in Nigeria was mixed. When Hill tried to promote the book in West Africa, he was met with scepticism and ridicule. The faculty at the University of Ibadan was amused at the thought of a worthwhile novel being written by an alumnus. Others were more supportive; one review in the magazine Black Orpheus said: "The book as a whole creates for the reader such a vivid picture of Ibo life that the plot and characters are little more than symbols representing a way of life lost irrevocably within living memory."

In the book Okonkwo struggles with the legacy of his father—a shiftless debtor fond of playing the flute—as well as the complications and contradictions that arise when white missionaries arrive in his village of Umuofia. Exploring the terrain of cultural conflict, particularly the encounter between Igbo tradition and Christian doctrine, Achebe returns to the themes of his earlier stories, which grew from his own background.

Things Fall Apart has become one of the most important books in African literature. Selling over 8 million copies around the world, it has been translated into 50 languages, making Achebe the most translated African writer of all time. ("More" to end, from Wikipedia.)