A Doll's House
Henrik Ibsen, 1879
80 pp. (varies)
All is happiness in Nora's coddled existence—doting husband, comfortable living, beautiful children. But we soon learn the only thing standing between Nora's happiness and disaster is a blackmail letter—which eventually makes its way into Torvald's hands. When it's revealed that Nora had once secretly borrowed money, forging her father's signature to do so, poor Torvald is outraged: Nora has ruined his life, his reputation, his happiness. His furor is unforgiving, despite two extenuating facts:
The veil has slipped from Nora's eyes—revealing her life as an imprisonment that has stultified her growth and freedom. Happiness lies elsewhere. So out the door she goes. Slam, bang, curtain down. It's one of drama's most stunning endings; even today it still shocks—even when you know it's coming.
Don't be put off by the fact that is a play rather than novel. Switching genres is goooood for us. I can imagine great discussions surrounding the implications of that slammed door—and Nora's bid for freedom and happiness.
Also, you might check out the 4 film versions, though I'm not familiar (yet) with any of them— 1992 (TV) with Juliet Stevenson; 1973 with Claire Bloom and Anthony Hopkins; another in 1973 with Jane Fonda; 1959 (TV) with Julie Harris and Christopher Plummer.
The Simon & Schuster Touchstone edition (cover image above) contains discussion questions.
Site by BOOM
LitLovers © 2016