Learn a Little Lit—mystery / crime thrillers

Learn a Little Lit—mystery / crime thrillers

mystery-thrillersDo mysteries and thrillers make good book club reads? More important, do they lead to good discussions?

Take a stroll through any bestseller list; you'll find thrillers and detective stories at (or near) the top. I love suspense mysteries (love them)! But here's my suggestion—read them on your own time. They don't necessarily inspire great book club discussions, primarily because characters are short on development...and plot discussion boils down to "what did you know and when did you know it?"

There are, of course, exceptions. A number of recent authors have jumped the genre ... moving the mystery/crime thriller into "literary fiction." What's that mean?

When critics talk like that about a crime thiller—specifically the new Gillian Flynn Gone Girl...or Tana French's Broken Harbor—they're talking about wonderful, often witty, prose; solid character development; and the exploration of philosophical ideas. Kate Atkinson is another writer who's moved the genre into high literary gear.

The three—Flynn, French, and Atkinson—are not only terrific suspense writers...they've been singled out as writers who probe deeply into character, motivation, how the past impinges on the present, and the nature of good and evil. They get us to ponder our own relationships, as well as the untenable choices life sometimes gives us. In other words, they make us think...and thinking always makes for good book conversations!

On top of good writing, two other requirements exist for great mystery/thrillers:
  1. The author must let the line out slowly, knowing precisely when to withhold—and when to release—information. It's a plot technique known as "suspended revelation,"—mysteries depend on it; in fact, it's their defining characteristic. (See LitCourse 6 on Plot.)
  2. The clues should be burried in plain sight—yet so cleverly that the reader won't pick up on them. Great mysteries stand up to a re-read, which only then reveals how, when, and where the author hid the clues.
If neither of those conditions is met, the story turns predictable, losing the element of surprise—the very thing that makes mysteries and thrillers so satisfying.


Comments 

 
0 #1 Nancy 2012-08-13 14:39
I agree that it is sometimes hard to find a Mystery which works well in a book discussion. Laura Lippman's I'd Know You Anywhere made for a great book discussion as well as Anita Shreve's Weight of Water (though not strictly a mystery). I think there are many fiction books which are also considered thrillers/mysteries, you just need to broaden your search a bit. I will be sugggesting both of Catherine O'Flynn's books (What Was Lost and The News Where You Are) for upcoming mystery book discusssions. I could go on and on, but you get the idea.
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