
Persuasion (1994)
Ciaran Hinds, Amanda Root
Truly, the the most beautiful of all the Jane Austen films. It's dazzling-elegiac in
tone and sumptuous. A decidedly
English movie, all those uncapped
teeth and overcast skies fly in the face of Hollywood gloss. Yet
this refreshing realism is what lends the film warmth and intimacy.
Persuasion,
Austen's last completed work, lacks her charm and biting
wit. But her sharp-eyed irony is still on display, especially
when aimed at the aristocracy, whose self-indulgence and
irresponsibility augur its eventual rout by an
up-and-coming middle class.
The screenplay and cast
breathe life into this otherwise rather lifeless book. (Heresy,
I know-hang me.) Amanda Root is beautifully convincing as Anne
Elliot. Her transformation from a pallid Cinderella into a
vibrant heroine is so gradual as to be all but invisible-until it
strikes you at the end.
Some find Ciaran Hinds unappealing. (Those uncapped teeth maybe?) But I think he makes a strikingly handsome Captain
Wentworth. He's an accomplished actor, allowing Wentworth's tightly
reined emotions to break surface and play subtly across
his face.
Finally, kudos to Sophie Thompson, Anne's sister
Mary-she managers to be despicable and hilarious at the same
time. (Sadly, two years later she is miscast as Miss
Bates in Gwenyth Paltrow's Emma. You can also catch her in Hugh Grant's Four Weddings and a Funeral.) |
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